The body and the flesh

Authors

  • Carolina Gonzalez Escola Superior de Artes Célia Helena (ESCH)

DOI:

https://doi.org/10.59418/olhares.v2i1.37

Keywords:

Psicofísico, Interpretação, Naturalismo, Grotesco, Plínio Marcos

Abstract

The presence and importance of having the body and bodily (or physical) actions of the characters in the drama of Plínio Marcos. The analysis of the difference between body and flesh given by the French philosopher Michel Henri, through the scientific considerations of William James and John Dewey, American philosophers and psychologists. In addressing the aesthetics of the grotesque theater of Plínio Marcos, comes to an analysis of his theater that reconsiders its naturalistic aesthetics and allows other possibilities.

Author Biography

Carolina Gonzalez, Escola Superior de Artes Célia Helena (ESCH)

Atriz, diretora, mestre em Artes Cênicas pela Universidade Sorbonne Nouvelle – Paris 3 e professora do Teatro-escola Célia Helena (TECH) e da Escola Superior de Artes Célia Helena (ESCH).

References

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DEWEY, John. Oeuvres complètes, early works, Tome I. Carbondale, Southern Illinois Press, 1982, 5 v.

______. Oeuvres complètes, later works, Tome I. Carbondale, Southern Illinois Press, 1982, 17 v.

GRANDE DICIONÁRIO Larousse Cultural da Língua Portuguesa. São Paulo: Larousse Bordas, 1999.

HENRI, Michel. Incarnation: Une philosophie de la chair. Paris: Seuil,

JAMES, William. The principles of psychology (1890), Cambridge: Harvard University Press, 1983, 1740 p.

MARCOS, Plínio. O abajur lilás. São Paulo: Brasiliense, 1975.

_______. Dois perdidos numa noite suja. São Paulo: Parma, 1984.

_______. A mancha roxa. s.l., s.n, 1988.

NOUVEAU PETIT, Robert. Dicionário eletrônico.

SHUSTERMAN Richard. Conscience du corps, pour un soma-esthetique, (trad. Nicolas Vieillescazes). Paris – Tel-Aviv: Editions de l’Eclat, 2007.

Published

2015-07-08

How to Cite

Gonzalez, C. (2015). The body and the flesh. Olhares, 2(1), 130–135. https://doi.org/10.59418/olhares.v2i1.37